Faculty Directory
Marnin Young

Marnin
Young

Associate Professor and Chair of Art History

myoung2@yu.edu
646-592-4848

Beren campus - 215 Lexington Ave
Room#708

BA, University of California, Berkeley
PhD, University of California, Berkeley

Marnin Young is the author of Realism in the Age of Impressionism: Painting and the Politics of Time (Yale University Press, 2015). The book received a Millard Meiss Publication Fund Grant from the College Art Association and an Honorable Mention for the Robert Motherwell Book Award. Dr. Young has published articles and reviews on nineteenth-century art in The Art Bulletin, Art History, caa.reviews, Critical Inquiry, H-France Review, RACARThe RIHA JournalNineteenth-Century Art Worldwide, and Nineteenth Century Studies. He is also a contributing editor at Nonsite.

Dr. Young's current research revolves around the new circumstances of artistic exhibition in the late nineteenth century. He is especially interested in the history of art criticism, the formation of the avant-garde in France, the politics of autonomy, and the painting of Georges Seurat and Vincent van Gogh. Recent publications include essays on "Impressionism and Imperialism in Maurice Cullen's African River," "Impressionism and Criticism," and "Van Gogh's Realism."

For his teaching at Stern College for Women, Dr. Young was selected as the Lillian F. and William L. Silber Professor of the Year (2011) and the General Studies Professor of the Year by the Senior Classes of 2011, 2012, and 2015. He also received the Dean Karen Bacon Faculty Award in 2014.

 

BOOKS

Realism in the Age of Impressionism: Painting and the Politics of Time (New Haven: Yale University Press, 2015).

 

BOOK CHAPTERS

“Van Gogh's Realism,” in Through Vincent's Eyes: Van Gogh and His Sources, ed. Eik Kahng (New Haven: Yale University Press, 2022), 93–121.

 

“Impressionism and Criticism,” in A Companion to Impressionism, ed. André Dombrowski (Oxford: Wiley-Blackwell, 2021), 11–26.

 

“Fénéon’s Art Criticism,” in Félix Fénéon: The Anarchist and the Avant-Garde, ed. Starr Figura, Isabelle Cahn, and Philippe Peltier (New York: Museum of Modern Art, 2020), 32–45.

 

"Le critique d'art," in Félix Fénéon: Critique, collectionneur, anarchiste, ed. Isabelle Cahn and Philippe Peltier (Paris: Musée d’Orsay, 2019), 60-79.

 

EDITED VOLUMES

“The Nineteenth Century: Part Three,” Nonsite 35 (May 2021) co-edited with Bridget Alsdorf and Todd Cronan,  https://nonsite.org/issues/issue-35-the-nineteenth-century-part-iii/

 

“The Nineteenth Century: Part Two,” Nonsite 27 (Spring 2019) co-edited with Bridget Alsdorf, https://nonsite.org/issues/issue-27-the-nineteenth-century

 

“The Nineteenth Century: Part One,” Nonsite 26 (Winter 2018) co-edited with Bridget Alsdorf, https://nonsite.org/issues/issue-26

 

REFEREED JOURNAL ARTICLES

"Impressionism and Imperialism in Maurice Cullen's African River," RACAR 46:1 (Spring 2021): 75-94.

 

“The Temporal Fried,” Nonsite 21, Special issue “Art and Objecthood at Fifty” (17 July 2017), http://nonsite.org/article/the-temporal-fried

 

“Photography and the Philosophy of Time: On Gustave Le Gray’s Great Wave, Sète,” Nonsite 19 (3 May 2016), http://nonsite.org/article/photography-and-the-philosophy-of-time

 

“Capital in the Nineteenth Century: Edgar Degas’s Portraits at the Stock Exchange in 1879,” Nonsite 14, Special issue “Nineteenth-century France Now: Art, Technology, Culture” (15 December 2014), http://nonsite.org/article/capital-in-the-nineteenth-century

 

“The Motionless Look of a Painting: Jules Bastien-Lepage, Les Foins, and the End of Realism,” Art History 37:1 (February 2014): 38–67.

 

“The Death of Georges Seurat: Neo-Impressionism and the Fate of the Avant-Garde in 1891,” RIHA Journal 0043, Special Issue “New Directions in Neo-Impressionism” (14 July 2012), http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/young-death-of-seurat

 

“Napoleon Disfigured: Nation, Identity, and War in Antoine-Jean Gros’s Battle of Eylau,” Nineteenth Century Studies 26 (2012): 1–25.

 

“Heroic Indolence: Realism and the Politics of Time in Raffaëlli’s Absinthe Drinkers,” The Art Bulletin 90:2 (June 2008): 235–59. (Awarded the Arthur Kingsley Porter Prize from the College Art Association and the Emerging Scholar Award from the Nineteenth Century Studies Association).

 

myoung2@yu.edu
646-592-4848

Beren campus - 215 Lexington Ave
Room#708

MEDIA RELATIONS

To request an interview, please contact Media Relations at 212-960-5400 x5488 or publicaffairs@yu.edu


Spring 2023

Late Nineteenth-Century Art

ARTS 1432

 

History of Art II

ARTS 1052

 

Introduction to Art

ARTS 1050

 

Fall 2022

Early Nineteenth-Century Art

ARTS 1431

 

History of Art II

ARTS 1052

 

Introduction to Art

ARTS 1050

 

Spring 2022

Late Twentieth-Century Art

ARTS 1452

 

History of Art II

ARTS 1052

 

Introduction to Art

ARTS 1050

 

Fall 2021

Women in the Avant-Garde

ARTS 1451

 

History of Art II

ARTS 1052

 

Introduction to Art

ARTS 1050

 

Spring 2021

Seminar on Impressionism

ARTS 1977

 

History of Art II

ARTS 1052

 

Introduction to Art

ARTS 1050

 

Fall 2020

History of Photography

ARTS 1645

 

History of Art II

ARTS 1052

 

Introduction to Art (Honors)

ARTS 1050H

 

Spring 2020

Late Nineteenth-Century Art

ARTS 1432

 

History of Art II

ARTS 1052

 

Introduction to Art

ARTS 1050

 

Fall 2019

Early Nineteenth-Century Art

ARTS 1431

 

History of Art II

ARTS 1052

 

Introduction to Art

ARTS 1050H

 

Spring 2019

Late Twentieth-Century Art

ARTS 1977

 

History of Art II

ARTS 1052

 

Introduction to Art

ARTS 1050H

 

Fall 2018
Early-20th-Century Art.
ARTS 1451

 

History of Art II
ARTS 1052

 

Introduction to Art
ARTS 1050H

 

Summer 2018
Topics:
ARTS 1973H