Assistant Professor of English
Dr. O'Malley received his doctorate from the CUNY Graduate Center and taught at Hunter College and New York University before arriving at Stern College for Women. He has published on Ford Madox Ford, Rebecca West, W.B. Yeats, Robert Louis Stevenson, Edmund Wilson, Alan Moore, Frank McGuinness and Wyndham Lewis. He co-edited a volume of essays on Ford Madox Ford and America (Rodopi, 2012) and is currently working on a research volume for Ford for Ashgate. His book Making History New: Modernism and Historical Narrative was published in 2014 by Oxford University Press.
The Publication Subvention Award for Distinguished Dissertations, and the Alumni and Doctoral Faculty Prize for the Most Distinguished Dissertation of the Year, CUNY Graduate Center, 2011
Peer-Reviewed Articles “‘The Final Aim is the Flower’: Wild and Domestic Nature in Sons and Lovers.” D.H. Lawrence Review, 2015 (forthcoming). “Listening for Class in Ford Madox Ford’s Parade’s End.” Modernism/Modernity, Fall 2014. “The Conjuring-Tricks of Capital: Fetishes and Finance Capital in R.L. Stevenson’s ‘The Beach of Falesá’.” English Literature in Transition, 57.1 (January) 2014. “‘The Critic Who Does Not Exist’: Edmund Wilson as Novelist in the 1920s.” Textual Practice, 2014. “Amnesia and Recovery of the Great War in Modern Irish Drama.” New Hibernia Review, 16.4 (Winter) 2012, pp. 1-17. “Belief and Unbelief: Nationalist Doubt in W.B. Yeats’s The Celtic Twilight.” Irish University Review, 39.1 (Spring/Summer) 2009, pp. 15-31. Book Chapters “Ford Madox Ford and Modernism.” Ford Madox Ford: An Introduction. Ashley Chantler and Rob Hawkes, eds. London: Ashgate, 2015. “How Much Mud Does a Man Need? Land and Liquidity in Parade’s End.” Ford Madox Ford, Modernism and the First World War. Rob Hawkes and Ashley Chantler, eds. Amsterdam/New York: Rodopi, 2014. “Nostalgia and its Discontents: Ford Madox Ford’s The Fifth Queen.” The Edwardian Ford Madox Ford. John Coyle, ed. Amsterdam/New York: Rodopi, 2013. “America’s Ford: Glenway Wescott, Katherine Anne Porter, and Knopf’s Parade’s End.” Ford Madox Ford and America. Sara Haslam and Seamus O’Malley, eds. Amsterdam/New York: Rodopi, 2012, pp. 97-108. “Speculative History, Speculative Fiction: Alan Moore and Eddie Campbell’s From Hell.” Graphic History: Essays on Graphic Novels and/as History. Rick Iadonisi, ed. Newcastle upon Tyne: Cambridge Scholars Pub., 2012. “Ford Madox Ford and Modernism.” Ford Madox Ford: An Introduction. Ashley Chantler and Rob Hawkes, eds. London: Ashgate, 2012. “The Ferociously Odd, Mutually Beneficial Editorial Relationship of Ford Madox Ford and Wyndham Lewis.” Ford Madox Ford, Modernist Magazines, and Editing. Jason Harding, ed. Amsterdam/New York: Rodopi, 2010, pp. 89-98. “The Return of the Soldier and Parade’s End: Ford’s Reworking of West’s Pastoral.” Ford Madox Ford’s Literary Contacts. Paul Skinner, ed. Amsterdam/New York: Rodopi, 2007, pp. 155-164.
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